THE UNCERTAIN SPACE OF THE ART WORLD: PERSONAL EXHIBITION CRITERIA

dc.contributor.authorEyüpoğlu, İsmail
dc.contributor.authorGoktepeliler, Omur
dc.contributor.authorKüçükşen Önder, Ferhunde
dc.contributor.authorYıldırım, Esra
dc.contributor.authorGöktepeliler, Ömür
dc.contributor.authorEyüpoğlu, İsmail
dc.contributor.authorÖner, Ferhunde Küçükşen
dc.contributor.authorYıldırım, Esra
dc.date.accessioned2025-10-18T09:58:11Z
dc.date.created2024
dc.date.issued2024
dc.departmentFakülteler, Eğitim Fakültesi, Güzel Sanatlar Eğitimi Bölümü
dc.description.abstractSolo exhibitions are important events where artists have the opportunity to present their works and interact with audiences. These exhibitions mark the culmination of the artists' creative process, signaling the moment when their works are ready to meet the public. Beyond this, an exhibition serves as a prestigious activity through which the artist communicates with their audience. However, there are various ambiguities both in our country and globally regarding the definition and criteria of solo exhibitions. Issues such as the criteria for defining an exhibition as a solo exhibition and how to establish a concrete framework for these exhibitions are central to this ambiguity. The aim of this research is to address these uncertainties and create a concrete framework for solo exhibitions, fostering a discussion and reflection on the essential characteristics that solo exhibitions should possess. This qualitative research was conducted using a case study model. Data were collected through an interview form prepared with expert opinions and obtained through face-to-face interviews with a total of 44 individuals at the ARTANKARA 9th International Contemporary Art Fair held in 2023. The interviewees included 21 artists, 11 academic artists, 8 gallery owners, 2 curators, and 2 collectors. The data were analyzed using content analysis and presented through tables. The findings of the research indicate that the majority of artists, academic artists, gallery owners, curators, and collectors agree that the decision-making authority in the process of organizing a solo exhibition lies with the artist themselves.
dc.identifier.doi10.20488/sanattasarim.1602420
dc.identifier.endpage192
dc.identifier.issn2146-9059
dc.identifier.issue2
dc.identifier.startpage172
dc.identifier.trdizinid1287904
dc.identifier.urihttps://doi.org/10.20488/sanattasarim.1602420
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1287904
dc.identifier.urihttps://hdl.handle.net/11772/19532
dc.identifier.volume14
dc.identifier.wosWOS:001417372800001
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.indekslendigikaynakTR-Dizin
dc.language.isotr
dc.publisherAnadolu Univ
dc.relation.ispartofAnadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzWoS_20251016
dc.subjectSolo Exhibition
dc.subjectPlastic Arts
dc.subjectPainting
dc.subjectSculpture
dc.titleTHE UNCERTAIN SPACE OF THE ART WORLD: PERSONAL EXHIBITION CRITERIA
dc.title.alternativeSANAT ORTAMININ BELİRSİZ ALANI: KİŞİSEL SERGİ KRİTERLERİ
dc.typeArticle
dspace.entity.typePublication
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relation.isAuthorOfPublication27486a78-2989-4fa7-9c29-3df13bb1fe3e
relation.isAuthorOfPublication.latestForDiscovery5329aec6-dc5a-44bb-b8e1-24a2a9facdf2

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